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I had high hopes for this film; I mean I really wanted it to blow my mind. I’m a mountainous fan of Derek Luke and feel that he is a truly gifted actor, but despite his terrific performance this movie to me really failed to elevate past mundane popcorn fluff. I wasn’t struck as I feel I could have or should have been beings the subject matter the movie embraces. I don’t know if I’m alone in feeling that the movie came off a bit `made-for-TV’ or `straight-to-video’. That was unbiased my idea I guess.
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The acting was top notch, especially on the piece of the two male leads. Derek Luke gives so remarkable humanity to Patrick that you’re rooting for him 100%, but to me it was Tim Robbins who stole my attention. He did such a smart job of making Nic Vos seem almost caring and concerned. He did so well at this that at the slay, when the dependable Patrick Chamusso is talking about Vos being a monster I found myself thinking “was he really that awful? “…yes he was, and Tim Robbins is really that profitable for making me doubt it.
Another nod should go to Bonnie Mbuli for playing Derek’s radiant and distressed wife Precious. I mention fair because this young actress is undeniably comely. She gave so grand heart to her character that she remains the most memorable share of the film to me.
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I’m not saying that this film was a slay of time, far from it. I exposed the horrors of the apartheid in South Africa, but it fair failed to vow what it could and should have. The acting was intelligent but I guess that blame should then topple on the writers and even the director for not channeling the brilliance of the cast and developing a stronger film. It’s shadowy because a film that could have dominated the awards season will, I panic, be soon forgotten.
South Africa, 1980.
Patrick (Derek Luke, “Antwone Fisher “, “Glory Road”), a young father with a wife and two children, lives in a microscopic house with his mother. He is very jubilant and has a edifying job as a foreman at a local refinery. In his off hours, he coaches a ragtag group of children in football. One day, traveling befriend from a wedding, they are stopped and questioned regarding an explosion at some railroad tracks. Patrick wants nothing to do with politics, because he knows it will jeopardize his family and his job. Later, Patrick takes his football team to a match and they get, so he stays over with them to compete in the finals. That evening, another explosion occurs at the plant where he works. Nic Voss (Tim Robbins), the head of the anti-terrorist team, brings him in for questioning. The same evening, Patrick visits an mature girlfriend and his illegitimate son, and then lies about it, making him a suspect. Unable to procure anywhere, Voss and his team acquire Patrick’s wife in and torture her as well. Then Patrick confesses, but Crop knows he isn’t telling the truth and lets him go. Fed up, Patrick decides to join the ANC, the African National Congress, and travels to Mozambique to commence training. Voss is clear to squash this group and soon learns that Patrick has joined up.
“Score a Fire”, directed by Phillip Noyce (“Distinct and Reveal Worry”) is a very excellent film about the life of a staunch figure in the struggle for South Africa’s independence from Apartheid.
Derek Luke is very, very pleasurable as Patrick Chamusso. Patrick is so intent on living his life with his family, trying to provide for them, beget certain they are overjoyed, that he doesn’t pay attention to politics. He knows that if he is even suspected of participating in any political movement he could lose his job, his house and his family would have to struggle. He is very pleased where he is in life. He has a job as a foreman at Secunda, a local refinery, which provides a house and a car for his family. He has everything he could want.
After attending a family wedding where he and his wife danced a lot, they are stopped at a roadblock and interrogated. The police throw Patrick to the ground in front of his wife, Precious, and their kids. A bomb was state off at a nearby railway space, so everyone is stopped. Naturally, because Patrick has a car and a nice camera, he is under suspicion. When they are eventually let go, Patrick doesn’t consider twice about it. He gets wrathful at his mother for listening to the political broadcasts on the radio. He wants to halt free and certain.
Then the football team he is coaching travels to a match and wins, prompting an overnight end so they can play in the finals the next day. During that night, Patrick travels abet to his home village and visits an customary mistress and his illegitimate son. He speeds relieve in time to select up the boys.
But during that evening, another explosion occurs and Patrick falls under suspicion because he lies about his whereabouts.
Luke brings a sense of happiness and complacency to the character. He is perfectly cheerful with his set in life; he doesn’t want to get waves, even though the government can terminate him and throw him to the ground for no reason. The fact that he has a mistress and an illegitimate child adds another level to his character. He seems so in like with Precious, yet she has a distinct jealous edge to her. Then we learn Precious knows about the mistress, which explains her jealousy, but she doesn’t learn of the child until grand later, which colors her actions towards her husband.
Then, when Nic Vos (Robbins), the head of the Government’s anti-terrorist unit takes him in for interrogation, everything changes. He doesn’t know anything. Yet, they inquire him and torture him. When he calm won’t construct a statement, they leave him in his cell for a period of time. When they steal him out, blindfolded, he is greeted by a surprise that changes his world. He is released, but he is no longer the wide eyed innocent he once was. He now realizes that nothing will accept better until the people execute it better.
Throughout all of this, Luke brings honesty to the role. Even when he is extolling the virtues of the original method of life, you can leer a runt doubt in his eyes. Then, when he changes, it is an abrupt change, but it works, because we have lived with him for a while now and feel like we know him. Bonnie Henna is also very righteous as Precious, Patrick’s wife. From the moment we first meet them, we recognize how satisfied they are together. Then, when Patrick starts dancing with another woman, she sidles up to them and hits him on the head. Enough said. Later, after she is interrogated by Vos and his team, she has a listless peek in her eyes and we know she will never be the same again.
Tim Robbins’ performance is the most difficult to assimilate into our brains. At one point, Vos states “We are the minority, 3 million trying to control 25 million.” The very fact the Boers view this was an okay thing is mind boggling. They live in this country, using different bathrooms, facilities, keeping the native Blacks out of their eye. It sounds distinguished like America during the 50s and 60s, but this yarn takes status in 1980. Their blueprint of control was to make Apartheid.
Robbins’ performance is very understated and initially seems a runt weird. Vos is in charge, and does everything within his control to back the Boers have their lifestyle. Robbins is very convincing in his portrayal of this. Vos is never in doubt that the Boers should be in control and this makes him and the other members of the ruling class naturally grisly.
There are at least two scenes in which Vos and his family are enjoying a picnic among other white people. Vos pulls out a guitar and starts singing folk songs. This seems like a really overt attempt to form Vos seem sympathetic. Peer at the man singing folk songs to his wife and children. How poor could he be? But I’m not clear this is the intended message. As he sings, he also reinforces how completely distinct he is, and his people are, of their upright to rule this country. Making him all the more menacing.
As his performance continued, I realized how menacing he is. His work brought to mind Kenneth Branagh’s performance in “Rabbit Proof Fence”. In each, the men are truly scary because they are so soft spoken. They are each truly convinced they are factual and they should be doing what they are doing which makes them even more scary.
Robbins’ performance is not as agreeable as Branagh’s; there aren’t enough layers, but it is reminiscent.
“Procure A Fire” also raises a lot of questions similar to what we are currently dealing with. The actions of Vos and his men ultimately cause Patrick to turn to the path of becoming a revolutionary. Before this moment, he had no feelings for this and didn’t want to jeopardize anything. But because Vos and his men treated Patrick like a allotment of trash, they convinced him that his people have to do something to ruin the oppression. Many fill a similar dwelling is happening in the Middle East; the new actions of the United States are creating a novel breed of terrorists.
“Net A Fire” is an spicy, well done portrait of an instrumental figure in the fight to extinguish Apartheid.
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